Showing posts with label Bronto Skylift. Show all posts
Showing posts with label Bronto Skylift. Show all posts

24 April 2012

A Mighty Ramble (Possibly Featuring Some News)


Scotland noisiest duo, Bronto Skylift have just announced details of their forthcoming Scottish tour with Lady North. Having released their new single, 'Positive Gentleman' on limited edition cassette on CATH Records, as part of this years Record Store Day. Iain and Nial are going to be hitting up Edinburgh, Dundee, Inverness, Thurso and Aberdeen this coming May. Full details on tickets and dates can be found in the bands Facebook page.




Up and coming Edinburgh outfit, Urvanovic, are set to release their debut single, Bubblewrap on 16th June. In anticipation of it's release they've made this rather cracking video to go with it. If this is the standard of things to come then I look forward to hearing more.




My fellow blogger friend Stu Lewis really has caught the bug for putting on gigs, fresh from running Avalanches evening Record Store gig bonanza, he's just announced the next in his series of The Tidal Wave of Indifference Presents gigs which will take place on Saturday the 23d of June at the Wee Red Bar in Edinburgh. This time round he's roped in a whole host of talent, including hot new Edinburgh outfit The Bad Books, who I have yet to hear, but have been promised big things. Plus Peenko favourites Loch Awe, with The Spook School and The New Fabian Society completing the bill. You've got to give the boy credit, he certainly knows how to pull a line up together. Further information on the gig can be found here.




On Thursday the10th of May, CAOS Calling, are putting on a charity event in order to raise funds for CAOS, Community Arts that's based out in Clydebank. Performing on the night you have Jo Mango, Open Swimmer, Blochestra and also spoken word performances by Drew Taylor and comedy from Duncan Graham. Tickets for the gig are just £7 on the door or you can buy one in advance here..




Rather than releasing his new single on a boring old product such as a CD or 7" vinyl. The Pictish Trail has instead opted to go with something a wee bit novel and has decided to release his a brand new single, Of Course You Exist, as part of a download bundle in which you purchase his T-shirt or Sweatshirt from the Fence Records website and you get the songs chucked in to boot. Having picked up one of those 'snazzy' jumpers at Eye O The Dug, I can vouch for their cosiness. The Pictish Trail is all set to release a new EP in July with an album following later in the year. You can catch Johnny playing live at the CCA in Glasgow with  Kid Canaveral and Johnny Common on the 3rd of May. He'll then be back in our dear green city on May 13 when he headlines the next Peas 'n' Loaf night at the Old Hairdressers (across from Stereo) with French Wives and Siobhan Wilson.


To finish off this massive rambling post we have the new video for King Creosote and John Hopkins new song, 'Third Swan', which was released on 7" as part of this years Record Store Day celebrations. Having queued up an ungodly hour of the morning last Saturday, I am pretty chuffed that I managed to get my paws on a copy. The song also features on the Jubilee Edition of the re-release of the Mercury and SAY Awards nominated album, Diamond Mine. I can't think of a better way to sign off than to leave you with this little gem...


02 March 2012

Friday Freebies

French Wives
Exciting times lay ahead for Glasgow folk-pop outfit, French Wives, in just a matter of weeks time the five piece will be heading stateside to represent Scotland at this years SXSW, after which they'll be venturing north for Canadian Music Week. As if that wasn't exciting enough the band also have the release of their forthcoming debut album, ‘Dream of the Inbetween’ to look forward to. If their new single, Younger, is anything to go by then we should be in for a bit of a treat. The song is the second single to be taken from the album and it's available for free download on their Bandcamp page, there's also a nifty wee video to accompany it. The band are playing a SXSW fundraising gig next Friday at Stereo in Glasgow, with support from Bwani Junction and Galleries.

Meow and A Mew
Not to be confused with the one man electro outfit Miaoux Miaoux, this new project in fact a collaboration between Phillip Taylor from PAWS and Christina Tweeddale from indie pop outfit, Boycotts and fuck me it's a bit good. They've just released an EP entitled 'Lasso The Moon' on the CATH RECORDS label, which sees Phil and Christina taking up the writing duties for a song each and the results are something pretty fucking spectacular. Find out for yourself by downloading Lasso The Moon for nowt here.

North Atlantic Oscillation
It's been a couple of years since we heard anything from Edinburgh trio, North Atlantic Oscillation. Having been a bit obsessed with their track, Cell Count, I have admit that I was a wee bit disappointed with their debut album Grappling Hooks. With their follow up album, Fog Electric, due out at the end of April the band are giving away a track from it for nowt on Bandcamp.

Queen Jane
It's not often that you see the words Cumbernauld and exciting in the same sentence, but here goes. Exciting new Cumbernauld outfit, Queen Jane released their debut EP, Denver a few of weeks back there. Their sounds not a million miles away from the likes of Vampire Weekend and Bombay Bicycle Club, but don't count that against them as they have some catchy as fuck pop tunes on the go. You can download the lead track from their EP for nowt on their Bandcamp page.

Scottish Fiction
It seems that the whole bloggers releasing free EPs thing has really taken off, first off we had Mr Kowalskiy and his excellent series of EPs featuring an array of Scottish talent and now we have Scottish Fiction jumping on the bandwagon. The more the merrier I say! This months EP sees him giving away free tunes from The Dirty Demographic, Maydays, Run/Lucky/Free and Wolves Of Winter. Further information can be found here.

Permwhale Recordings
The Edinburgh based label, Permwhale Recording, have posted up a whole host of free tunes from their roster, if you head on over to their Bandcamp page you'll find songs by an array of artists including Night Noise Team, Collar Up, Flooze and The Duke, Detroit.


Mad Nurse
There's one thing for sure, if you tag your music as Fucking Awesome on SoundCloud then it's going to grab folks attention. Whether you live up to that billing is another matter all together, in the case of  Edinburgh duo, Mad Nurse, I'd say that fucking awesome is quite fitting. If you head on over to the bands SoundCloud page you'll find yourself a whole host of cracking free tunes including an ace wee tune called Submissive, which I am told is more representative of the direction that the band are heading. Ones to keep an eye I reckon.

Nebyudelic
If you've emailed me in the past few months and I haven't replied to you please accept my apologies. To say that I am working through a bit of a backlog of stuff is a bit of an understatement. Nebyudelic would be a good example of my tardiness as they sent me their music way back in December and it's taken me until now to listen to it. I guess it would the lazy way to describe this would be to call it experimental, but hey I am a bit lazy and I really don't know how you would categorise it. All you need to know is that it's pretty damn good and that there are a host of free songs up for grabs on SoundCloud.

the douglas firs
Those Douglas Firs kids don't hang about, I am sure I was only just posting about one of their side projects a few weeks back, then the next thing I know they're putting out a new EP. Available on CD and cassette, the EP is also available as a free download on Bandcamp.

Stephen Harrison
If you're looking for some chilled out songs to ease you into the weekend, then Edinburgh singer-songwriter Stephen Harrison might well be the man for you. His new album Today Tomorrow is available on a pay what you want basis on Bandcamp.

Holobeams and Broken Machines
If you're a fan of artists like the Field, Boards of Canada, M83 and Orbital, then Holobeams and Broken Machines might be for you. Their latest EP, Holofractal is up for free download on SoundCloud. 

Bronto Skylift
Scotland's noisiest duo have been a bit quiet as of late, with plans afoot for future gigs they've posted up a whole host of free tunes from their debut album, The White Crow, up on their SoundCloud page.

Drunk Mule  
To finish off this weeks freebies we have a late entry from those lovely Drunk Mule boys, it must be all of a week since we last got a free tunes from the boys. This tune is called Upon Exit, Check For Signs Of Life and it's free to download on Bandcamp.



14 December 2011

Scots Way-Hay - The Artists Albums of the Year 2011 (Part 2)

If you're already getting sick of all of this talk about albums of the year, then you might want to stay well away from this site for the next two weeks. Continuing on from last week, here's the second out of four scheduled Artists Albums of the Year. This is the bit where I get folk who've done interviews for me over the past two years to tell me a bit about what's been tickling their fancy in 2012, we even have one of our artists choosing an album by someone else who's writing about their favourite album - I hope to fuck that makes sense to you. This week we have the choices of Sebastian Dangerfield, Bronto Skylift, Sugar Crisis, Song of Return, Mike Nisbet, Neil Milton, Washington Irving, United Fruit, French Wives and The Scottish Enlightenment...

Bon Iver - Bon Iver chosen by Stuart (Sebastian Dangerfield)

The first thing that came to mind was “Bon iver’s, Bon Iver”. Then I thought, “Is that too obvious?” Then I thought; that’s probably the reason why it should be my favourite album this year.
I was nervous to hear that Justin Vernon was bringing a band in to do his second album and to record it in a purpose built studio, just incase he lost that intimate and unique sound he had on "For Emma...". But it’s a huge step away from the first album and is arguably an improvement that seems more confident.
The sound and the production are bigger, the songs are more detailed, and there are a few controversial synth noises just to keep you on your toes. It also helps that he has a cracking voice and a great sense of melody.... and the show at Usher Hall this year was the tits.


Mogwai - Hardcore Will Never Die, But You Will chosen by Niall (Bronto Skylift)

I find it difficult when talking about anything as the best of the year because my moods vary wildly throughout the year and something I was maybe digging a few weeks ago (say, Mastadon) might not be massaging my eardrums as I write this so I guess i have to think about the piece of work that has drawn me back time and time again like some kind of magical Pony Magnet...
Honourable mentions have to go to the cassette based rumblings of PAWS even though they did not make an album but released enough to constitute an album and to the BREW RECORDS BRW015 Split 10" with Kong/That Fucking Tank/Castrovalva/Shield Your Eyes which has been melting my head and making we want to live in Leeds.

So, after studying flow diagrams, pie charts and polishing all metal objects on site I can safely say my album of the year has been - Mogwai: Hardcore Will Never Die, But You Will.
I remember when they released Rano Pano as a free download. I instantly thought "these guys have made a ripper of an album and are so confident of it's rippage that they have given this for nothing" And how true a thought that was.The flow of the album is beautiful.
The sound so mighty and immersive that you could almost believe that anyone could learn a foreign language using Linguaphone.In two weeks.
At times when i listen to it and I'm drawing pictures I find myself ;sketching the legendary nature pundit David Attenburgh (White Noise) employing sharp lettering and slogans (Mexican Grand Prix) and feeling like I could take on the whole empire myself (How to Be A Werewolf)
Oh yeah and the title alone makes me want to tear the clouds from the sky and use them as loofers when in the shower.


Veronica Falls - Veronica Falls chosen by Neil and Lorna (Sugar Crisis)

They're such a beautiful sounding band and the songs are rocky and dreamy and a delight. Loved them from the first chord.

Radiohead - The King Of Limbs chosen by Graig Grant (Song of Return)

There was a time, I know there still is for other people, where I'd always create a lot of pomp and ceremony about my first listen to a new record by one of my "favourite" bands (in fact, my first listen to sigur ros' "takk" on the day of it's release whilst hanging the free embossed poster I made sure i got in early for made me 15 minutes late for work and almost got me fired). But in spite of how I still feel after all this time, I am not sixteen anymore. By a long shot. And yes I did pick up "King of Limbs" on the day it was released, but what I am getting at is that it was much more of a slow-release drug affair, like all music and the changing way people use and listen to it these days.

Now I've followed radiohead since my teens, but what I think I appreciate most about their current 'embodiment', really from "In Rainbows" to present, is the distinct lack of pomp and ceremony. These guys have toured the world extensively. they have been the biggest band on earth at some points. But they are have not become the Rolling Stones, the don't live on separate islands that they own. they are just a bunch of regular guys living in rural Oxfordshire and using their time on earth to absorb beautiful and far out music, and transforming that education in to beautiful and far ourt music of their own. but yet, in spite of this new, accessible, down to earth persona, they have still managed to make something which is altogether elusive, mysterious, entrancing even. This combination makes a band magical, still makes one feel like the teenage fanboy.

And it's this mystery which draws me back listen after listen. It's a code. I remember from a great piece in Rolling Stone not long after it's release that "nothing at Radiohead HQ is an accident", meaning of course that the form and structure of the record, not to mention it's length, seem at first jarring. But it's all in there, waiting to be figured out. The content is there. It requires listening with intent to acquire it's hidden meanings. And that is what makes a great record. Mystery.



Gillian Welch - The Harrow & The Harvest chosen by Mike Nisbet

I fell in love with Gillian Welch on a cold dark night, out on the west coast mid winter, and I was a little drunk, the conditions were just right. Reading an online magazine and caught a picture of her, she look like she was from another time, and I had to know what this 'time' sounded like. Being a late comer to Gillian I didn't have to wait the 8 years everyone else did for this new record but god it was worth it! It's a world that I frequently sink into, a place I find painfully beautiful at times, a place that reminds me what a song can really do to you.

Highlight have got to be Down Along The Dixie Line & Hard Times, Gillian singing her cut throat lyrics 'I've never been so disabused, I've never been so mad, I've never been served anything that tasted so bad' underpinned by Dave Rawling on lead guitar (my favourite guitarist of all time, hands down by the way) with harmonies that at points can bring you to your knees.

If you've not ventured through the music of Gillian Welch yet, wait till it's dark, pour your self a stiff drink and welcome home.


Jóhann Jóhannsson - The Miners' Hymns chosen by Neil Milton

I first heard Icelandic composer, Jóhann Jóhannsson around 2006 when he released what has become one of my all time favourite albums, IBM 1401 - A User's Manual. Since then he has become a great inspiration to me so I was excited to hear he would release the soundtrack he had written to accompany the Bill Morrison film, The Miners' Hymns. Like everything that Jóhann does it seems to balance delicately between glorious, sweeping celebration and poignantly sorrowful nostalgia. Its use of brass, a group of instruments commonly associated with colliery life, perfectly identifies with the social history of the northern English miners that the film sets out to depict. The Miners' Hymns is a beautiful modern-classical requiem and one I can't recommend highly enough.


Mike Nisbet by Vagrant chosen by Joe (Washington Irving)

This album takes the prize for me. There’s no-one like Mike in Scotland at the moment. Taking influences from Nick Cave and Tom Waits, he’s produced something really unique with a lot of guts, dirt and soul. The song ‘El Frida’ shows a real step up in his song writing and guitar playing, and tracks like ‘Snow Me In’ and the title track ‘Vagrant’ show him at his most mournful and melodic. The record has consistent sense of morbidity, loss and desire set in Mike’s own desolate, wintry world. I think the reason I rate it so highly is because the listener is invited into this place, or at least catches a glimpse of it and sees Mike, guitar in hand, wandering down his long, lonesome road.



Empros by Russian Circles chosen by Marco (United Fruit)

Basically it is the best thing to happen to instrumental music since Godspeed.



A Different Kind of Fix by Bombay Bicycle Club chosen by Jonny (French Wives)

We were lucky enough to support this band at the tail end of last year, however, regrettably, I'd never paid much attention to them; previous offerings have never stood out and grabbed me in the way that this third record has.

Arguably a combination of genres from the first and second record, 'A Different Kind of Fix' marks a huge step up for BBC. A beautifully restrained effort, the album flows with such a consistent groove yet never threatens to lose it's dark, lo-fi appeal. Tracks like 'Lights Out, Words Gone' and the initial single 'Shuffle' demonstrates intelligent vocal layers and some truly remarkable rhythms. Heavier tracks such as 'Your Eyes' and 'Take the Right One,' although bold in exterior, Jack Steadman's haunting tone keeps them perfectly in line with the understated feel of this record.

A genuinely great album and I think I've given it as birthday presents to about 4 people which can't be a bad sign!

Link
Happy as a Windless Flagchosen by Douglas Firs' chosen by David (The Scottish Enlightenment)

My album of 2011 is Douglas Firs' Happy as a Windless Flag, and this has got nothing to do with them being on the same label as us. The record is totally fascinating. I keep finding new things in it to wonder at. I cant imagine how some of the ideas came into being and It probably wasn't the intention, but it's like Edinburgh cast in musical form. Neil's delicately warbling murmur and the fragility of the performances really draw you into the dark, quiet closes within the music that separate great slabs of blackened grandeur. This bipolarity of intimacy and bombast, and the diversity of rhythm that carries the songs on dancing feet, makes it a totally satisfying listen, and a case study in why albums are a really good musical format. They also happen to be the best live band in Scotland as far as my experience goes. Long live The Douglas Firs!

17 August 2011

Belladrum 2011 - Review


Until just recently I had decided that I was now too old to go to music festivals, the thought of waking up in a tent just really didn't appeal to me anymore. In short I was starting to think along the same lines as this grumpy old sod. However, when Randolph's Leap offered me one of their 'plus ones' for this years Wickerman Festival, I found myself changing my mind somewhat. I used to be the kind of person who looked to see who the headliners would be, this time round though I found myself looking at the smaller, emerging stages and getting excited. After deciding I'd go to my first Wickerman, I ended up getting the festival bug again. I had fully intended to write a review of my weekend at Wickerman, however, in the words of Vicki from Randolph's Leap, I was 'muntered' the whole weekend. So I decided against trying to recall my drunken antics and chose instead to write a more sensible review of my time at Belladrum.

Unlike the last time I visited Bella, 5 years ago, me and Nic managed to blag a bed at my folks, who also picked us up and took on baby sitting duties for the weekend. So there was no slumming it in tents or being woken up by drunken Highland neds. We did however, have the joys of dealing with a screaming baby at 7 in the morning, which trust me is not much fun. Anyway, that's enough of my self indulgent ramblings, on with my shambolic attempt at reviewing...

PAWS for thought...

We deliberately made sure we arrived on the site nice and early to catch two of the noisiest and most entertaining live bands in Scotland at the moment, PAWS and Bronto Skylift.
It was the aforementioned PAWS that kicked the day off with a blistering set in the goNorth Seedlings Stage. The local three piece blast their way through a rip roaring set, which concludes with lead singer Phil Taylor setting up his mike in the middle of the crowd, leaving us in a wall of feedback. We quickly make a sharp exit to head down to catch Bronto to see if they are up to the job of matching that performance...

Bronto Sklyfit, yer gran would love 'em

Having seen Bronto a fair few times in the past twelve months, they rarely fail to impress. I'll admit that I don't find myself listening to their album all that much, only if I have had a really shitty day at work. However, every time I see them they impress the fuck out of me, they may well only be a two piece, but boy do they make one hell of an enjoyable racket. The only problem sometimes is knowing who to watch. One minute I am being hypnotised by their drummer Iain's stick wielding wonders, then the next thing I know Niall is down in the crowd hurling his guitar back onto the stage. It's noisy, it's brutal and fuck me it's great to watch.

so that's what happened to Herbie

After Bronto finish we find ourselves at a bit a loose end for a few hours, so we go for a bit of a wander round the site and also to find out what joys the press area has in store for us. In the end it turned out that it really had two main functions, one it was a good place to meet up with folk we knew and even more importantly there was a portaloo that didn't have a queue. Which might not seem like much, but it was great for the odd piss-stop.

Similarly to Wickerman, Belladrum is very much a family friendly festival; T in the Park this is not. At what other festivals would you find a Beetle covered in moss, or pianos scattered amongst the woods, that and the food is great. Over the weekend we gorged ourselves on things like Crepes, Chicken Risotto and even some Cullen Skink, that being said we still succumbed to the ways of the burger.

How Now Highland Cow

We also managed to hook up with my Highland partner in crime, Jamie from NetSounds, who was over manning the goNorth RockHopper mobile recording studio. The goNorth area proves to be the ideal place for us to chill out over the weekend, as it has seats and nice folk to hang out with. Theyalso had a whole host of live bands playing sessions for them and I guess you all know how much I love my sessions.

Later in the afternoon we headed down to see The Xcerts, in the past I have always thought that they might have been the kind of band I would love if I was 18. Being 33, they just make me feel very fucking old, however, the kids seem to go bat shit crazy for them. At the end my wife asks where abouts in Ireland they're from and why were they trying to sound American. Our friend Weaver soon informs us that they're actually from Aberdeen, fucking kids these days...

Talking of stuff that makes me feel old, we head up to catch some of Lightguides, a band that we had on the bill at our 'bloggers night' gig at goNorth. Again, I remain unconvinced by their pop-punk tunes, but I think it would be safe to say that The Pop Cop would have fucking loved it.

Where's Wally?

It's safe to say that my love of the Phantom Band isn't much of a secret, their last two albums have been my albums of 2009 & 2010, plus I have seen them too many times to recall. However, I did feel that there performance was a little bit flat, although I did speak to several other folk who thought they were amazing, each to their own I guess.

Louis Abbot and his Grizzly Adams-esq beard

Admiral Fallow on the other hand were on top form, they genuinely seemed pretty shocked at the number of folk that had turned up to see them, as they recalled that they'd played to virtually nobody the year before. Over the years I have seen a fair number of 'my wee bands', moving onto much bigger things, after the reaction that they got at Bella it looks like Admiral Fallow might the next Scottish band to join the ranks of bands such as Snow Patrol and Frightened Rabbit.

Highland folk going bat shit crazy for Admiral Fallow

After Admiral Fallow we found ourselves with a few hours to spare as there wasn't much else that we wanted to see. We ended up blagging our way into the backstage area, where we got to witness how the other half live, basically there was no queue at the bar and they have nice toilets. We also got to stand and watch as Texas warmed up to go on stage, turns out that Sharleen Spiteri does look like an SS Officer in real life... who knew. On our way back out we bumped into Niall from Bronto and Phil from PAWS, who had just been kicked out of the catering tent for starting a food fight, which seemed to involve flowers. That's modern rock 'n roll for you then!

wherever god shines his light...

To finish our Friday night off we made our way back up to the goNorth Seedlings stage for Kid Canaveral's headline set. As they open with 'Her Hair Hangs Down, drummer Scott joins the band at the front of the stage on guitar, and the tent is surprisingly pretty quiet. However, by the end of the song I was pleasantly surprised to find that the place was pretty damn packed, and 'no' it wasn't raining either. What follows is 30 minutes of pure unadulterated pop pleasure, as the band race through the highlights of their album 'Shouting At Wildlife', including my favourite song of last year 'And Another Thing!!' and their cracking wee cover of King Creosote's 'Missionary'. I might well have been knackered from being on my feet all day, but I still managed to pull off some rather dodgy dance moves, much to the embarrassment of Mrs Peenko.

For me personally, Kid Canaveral were the perfect way to end a really fun day. The Saturday at Bella now had a lot to live up to...


Jarv our beautiful butterfly

After a night in bed and a shower in the morning, we arrive rather early on site feeling suitably refreshed. We had deliberately made sure that we had gotten there pretty promptly as those crazy Detour kids had planned one of their now legendary 'Wee Jaunts'. Sadly we arrive to find out that they've had to cancel as Rachel Sermanni had gone home, Tommy Reilly didn't have a guitar and a whole load of other bands had plain old disappeared. We were however treated to an impromptu version of 'Without The Help of Sparks' from Jarv from Endor, which was rather ace.

The Folk Venga Boys

I always forget just how much I like Woodenbox, but it's always nice to be reminded. Their album 'Home & the Wildhunt' is cracking wee record, but in a live context the songs take on much more life, any fears of today finding us falling prey to a day one hangover are soon shook off by a barn storming set. Not only do all of the band look like they're having the time of their lives, but they're also tight as fuck with great tunes, so it's no real surprise that they get the crowd going wth their country-tinged pop.

Boycotts made me feel old, very fucking old..

Later in the afternoon we found ourselves back at the Seedlings Stage to catch the female fronted four piece, Boycotts. Having bought their debut EP a while back, I am still pretty undecided about whether I like Boycotts, I can see that there's potential there, but they're not quite there yet. That being said, their closing song Press Play is a cracking wee pop song. I'll defo be keeping my eyes and ears peeled for future releases.


We Were Promised Jetpacks felt like an odd choice as a main stage band, there was definitely a hardcore element of fans there to see them, however, the rest of the crow didn't seem too fussed about them. In true Jetpack fashion they don't appear to give two shits as they treat us to a number of songs from their forthcoming second album. Unfortunately, just as the band start to hit their stride we have to leave as we wanted to catch Endor at the Seedlings Stage. I will however, make sure that I catch them when they play Glasgow towards the end of the year (details of this gig should be announced very shortly).

Endor can't afford drums

I hate admitting that other folk are right, but fuck it, I have to hold my hands up to The Pop Cop, Endor are fucking great. There I have said it. At Wickerman two weeks prior they were one of the finest live bands I saw all weekend and at Belladrum it was more of the same and then some. Their self titled album was one of the most under-rated albums of 2010, however, with performances like this they're not going to stay a secret for much longer.

Love this band...

Love 'em!

Child's Play...


Hoe Doon

Later on in the afternoon we catch Woodenbox playing an uplugged set outside the goNorth RockHopper and fuck me it's good. Once again I found myself dancing, badly.
If my shitty memory serves me right, I do remember myself and Jamie from NetSounds having a male bonding moment about how much we love their album. Thankfully nobody overhears quite how gushing we get, perhaps I shouldn't have mentioned that part...

Man Love
When it comes to great indie pop bands, Scotland really does have more than it's fair share. Aerials Up are another band who fall into this category. They've got great tunes and they certainly got the Seedlings Stage shaking their hips with their energetic pop tunes. With songs like 'Stay Awake' and 'All Your Mothers Daughters', they're undoubtedly going to establish themselves as ones to watch in the Scottish music scene.


Owner of a lonely heart

So as the day starts to draw to an end we catch bits of Be Like Pablo, who remind me a lot of Weezer. Then we made our way down to see Deacon Blue, who I must admit I was quite looking forward to, as they were on of the first bands I listened to when I was just a nipper. I don't know if it was my dislike of big crowds or just general boredom, however, I soon find myself abandoning my wife in favour of another former hero, Roddy Woomble performing in his folk singer guise. As good as he was, I wasn't overly wowed as I have seen him far too many times over the years, so his performance almost felt formulaic.
As the heavens opened and a months worth of rain descends upon the Belladrum site I regret my decision at leaving Deacon Blue, as I meet with a very soaked Mrs Peenko who was raving about how great Ricky Ross & Co. had been.
With the majority of campers returning to find their tents flooded, I was extremely grateful for a lift back home to my folks.

All in all, Belladrum was great weekend, great music, great food, some quality banter and one of the most ned-free festivals Scotland has to offer, just don't fucking camp at it.


A Massive Thank You Goes Out To Mrs Peenko For Taking All Of The Pictures For Me And For Babysitting Me For The Weekend xxx

01 April 2011

Bronto Skylift - SXSW Tour Diary (Day 2)

Bronto Skylift went to SXSW, I asked them to write me a diary while they were out there. Here's Day Two of their adventures...

(click the picture for a larger version)

Bronto Skylift -Tiger (Vic Galloway Session)

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29 March 2011

Bronto Skylift - SXSW Tour Diary (Day 1)

When I first asked Bronto Skylift to do a wee a SXSW tour diary for me, I really had no idea what they'd come back. All I could knew for sure was that it certainly wouldn't be something run of the mill. Let's just say they didn't disappoint, here's Day One of Bronto's assault on America...
(click the picture for a larger version)
Bronto Skylift Bronto Skylift -Eagle/Falcon (Vic Galloway Session)

22 December 2010

Scots Way-Hay - The Artists Album of the Year (Part 3)

When I sent emails out to all of the bands that I have featured this year as part of my Scots Way-Hay posts I honestly didn't expect to get much of a response. Turns out that I was completely wrong, as I have been inundated by bands wanting to share what's been floating their boat this year. This week we have an array of choices from Bronto Skylift, Admiral Fallow, Kid Canaveral and the Lava Experiments, there are some cracking choices in there, plus a lot of stuff that passed me by. I'll defo being making sure that I check them all out though. Right, let's get on with the show, here's this weeks picks....



Abner Trio - The Giant Crushes You

chosen by Niall, Bronto Skylift

"It's amazing and subtle and uplifting and feels like an album.And the art rules"

Field Music - Measure

chosen by Sarah Hayes (flute,vocals), Admiral Fallow


"I didn't realise it was a double album when i got it and was concerned it would be a bit self indulgent but needn't have worried. Just lots of great pop songs with some quirky touches."

(also loved 'Ian Stephenson-Line up')


Flying Lotus - Cosmogramma

chosen by Joe Rattray (bass), Admiral Fallow
"It's a really dense electronica/hip-hop album with jazz undertones and a great collaboration with Thom Yorke (...And The World Laughs With You)"

(also loved 'The Phantom Band-The Wants')


Sufjan Stevens - The Age of Adz

chosen by Phil Hague (drums), Admiral Fallow

"In Stevens own words "The Age of Adz, is, in some ways, a result of the process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it"


Laura Marling - I Speak Because I Can

chosen by Kevin Brolly (clarinet, keys), Admiral Fallow

"Marling's second lp released on 22 March 2010 was produced by the great Ethan Johns and has a more mature sound and lyricism, dealing with "responsibility, particularly the responsibility of womanhood."

(also loved Meursault-All Creatures Will Make Merry)


Local Natives - Gorilla Manor

chosen by Louis Abbott (songs), Admiral Fallow

"A brilliantly catchy guitar record with a lot of interesting harmonies and hooks. The band self funded the record which is pretty admirable these days. It was technically released in the UK at the end of '09 but in the U.S in Feb this year. Sneaky eh."

(also loved Frightened Rabbit-The Winter of Mixed Drinks)


SWANS - My Father Will Guide Me Up A Rope To The Sky

chosen by Fraser, The Lava Experiments

"To those familiar with SWANS ignore the next few sentences. To the uninitiated, SWANS were established in 1982 by Michael Gira in NYC. They released in excess of 20 albums (studio and live) before their demise in 1997. During their career they produced some of the most aggressive, brutal, visceral, yet beautiful music I've ever experienced.

In January this year Gira announced that "SWANS were not dead". 'My Father Will Guide Me Up A Rope To The Sky' was released in September this year and for me it is the best album of the year.

Listening to the album wraps me in a blanket of melancholy; a rather comfortable blanket that has the converse reaction of being remarkably uplifting. Mountainous challenges no longer seem insurmountable. Irritations dissolve into the background noise, where they deserve to stay. This album makes me feel better.

It has the blueprint of the early day SWANS; a grotesque, relentless, pulsating backbone. Early SWANS are definitely an acquired taste and one that the majority would be delighted to by pass completely. But, this album is very accessible. That is probably due to the undeniable nod towards mid era SWANS where the feeling was more avantgarde psychedelic folk. There's a maturity in Gira's work that's inevitable with a musical career spanning almost 30 years. Topped off with some of the best vocals Gira has recorded (in my humble opinion) this is an outstanding piece of work and one I'd urge any reader to have a go at!"


The Noyelle Beat by Standard Fare

chosen by David, Kid Canaveral

"I had heard good things about the band that produced my favourite album of 2010, but like so many other bands that I hear good things about, I just hadn’t had time to check them out. Luckily, this changed when we (Kid Canaveral) were asked by Half My Heart Beats to play with Standard Fare at their night in Glasgow. They were absolutely brilliant, and afterwards I couldn’t buy a copy of The Noyelle Beat off of them quickly enough. We were off on a short UK tour after the Glasgow show and SF’s album was on repeat almost the whole way.


There is something really rather special about this album, Emma Kupa’s vocals in particular. She has a rare talent of not only singing the lyrics, but properly emoting them, sucking the listener into the situation and immersing them entirely in the song. I defy you to listen to ‘Love Doesn’t Just Stop’ (which is the best song I’ve heard all year, and an absolutely devastating opener for an album) and not have the hairs on the back of your neck stand up when Emma hollers that note at the end of the verses. The playful interaction of Emma and Dan’s vocals twisting around each other on ‘Nuit Avec Une Amis’ is a real joy to listen to, detailing the dangers and the subtleties of a possibly (probably) ill-advised liaison with a friend. ‘Philidelphia’ is just the sweetest song, and anyone who has been separated for a time from a loved one, over any distance whatsoever, will be able to relate to it. The three-piece instrumentation of the album could well have been limiting to a band with less imagination, but the wonderful rhythms and changes therein, that are best exemplified by ‘Let’s Get Back Together’ and ‘I Know It’s Hard’, show that that The ‘Fare are not ones for simply knocking out “Four-to-the-Floor” indie by numbers.

Another real strength to this album are the vivid pictures it paints, not merely through the words, but the way the are delivered. Add the vocal performance and musical accompaniment to “my favourite thing/Saturday, Sunday morning/Dancing with you/In the living room” on ‘Let’s get back together’ and it changes from something that could be awfully twee written down, to something beautiful, a passage in the song that takes you right to the feeling of an after hours moment with a loved one, the ordinary living room and the inebriated dancing becoming something amusing, touching, daft, intimate: just one of those wonderful moments. Similarly, ‘Wrong Kind of Trouble’ has a very simple set up, the music adding a slightly hazy quality to the situation described, and the pay-off of the last line, again, is all about the resigned, heart-broken sigh of the delivery. Just brilliant. Singles ‘Fifteen’ and ‘Dancing’, are joyous pieces of dancefloor-filling indiepop, with the latter being a close-to-perfect single (well, perfect actually) and providing Scott and I with a song to sing (terribly) whilst shambling out of a post-show club in Leicester. And many times since. It also contains one of the wisest couplets of recent times with “There’s always gonna come a time when we don’t know the answers/Always gonna come a time when we should just go dancing”. The wonderful opening drawl of the first few lines of ‘Wow’ is what I have been bothering my neighbours with by belting them out in the shower for the past couple of months. It's a brilliantly judged closing track for the album.


Yes, the lyrical content is something that many bands have done over and over (well, most bands): love and loss, desire, longing, libido, friendships, mistakes, dancing and drinking, but very, very few manage to add that little bit of magic that Standard Fare do, the bit that a listener can really connect to. I have read and heard many people comparing Standard Fare to the Popguns, and while The Popguns are responsible for one of my favourite singles ever, I think that Standard Fare have surpassed The Popguns back catalogue with ‘The Noyelle Beat’. I don’t think that The Popguns ever bettered their third single “Waiting for the Winter”, which is a perfect pop song (one of the b-sides ‘Because he wanted to” was wonderful too, mind), whereas I would rate at least a couple of the songs Standard Fare’s debut as equals to this, and I would say ‘Love Doesn’t Just Stop’ and ‘Dancing’ actually top it.

There is wit, sincerity and real joy in so much of the album. None of it is laboured or tortured with emotion. It is unpretentious, genuine, heartfelt and moving, without ever being earnest or sickeningly twee. I absolutely love it, and that doesn’t happen to me often at all. I haven’t listened to album this much since ‘The Midnight Organ Fight’ came out, and there isn’t much higher praise than that".

13 December 2010

The Scottish Blogger and Music Sites Award (The Scottish BAMS) 2010

It's that time of year again where it seems as if every other day there's another album of the year list being announced. Well kids, here's the list you've all forgotten about, it's the return of the BAMS. For those of you who don't already know, the Scottish BAMS Award was a wee idea I devised last year to poll all of the bloggers and music sites that I could find, to find the 'definitive' album of the year. Last year I had around 30 entrants take part, this year I have nearly doubled that total with almost 60 entrants submitting their lists. Here's a roll call of all of the different sites that took part in this years vote...


A fine array of sites if ever I saw one, almost as impressive as the list of albums below. In 2009, things went right down to the wire with the Phantom Band pipping Animal Collective at the last. This year we had a clear winner, which I am sure will surprise few. The Scottish Bloggers and Music Sites album of the year is none other than The National with High Violet. A deserved winner I am sure you'll agree.

Having pestered the bands PR and management, I managed to get word to the band that they had been voted as this years BAMS. They're men of few words, but here's what they had to say

"That's great news. Thanks for the support!"

Next year I think I'll get a trophy made up, that way the winner will be forced to talk to me... They will talk to me, right?!? Anyway, as I am sure you'd prefer it if I stopped talking, here's the Top 30 albums in full



1. The National - High Violet
2. Admiral Fallow - Boots Met My Face
3. Meursault - All Creatures Will Make Merry
4. Frightened Rabbit - The Winter of Mixed Drinks
5. Kid Canaveral - Shouting at Wildlife
6. The Phantom Band - The Wants
7. The Arcade Fire - The Suburbs
8. The Last Battle - Heart of the Land, Soul of the Sea
9. Broken Records - Let Me Come Home
10. Bronto Skylift - The White Crow
11. Beach House - Teen Dream
12. The Fire & I - Stampede Finale
13. Sufjan Stevens - Age Of Adz
14. Deerhunter - Halcyon Digest
15. Best Coast - Crazy For You
16. Mitchell Museum - The Peters Port Memorial Service
17. Teenage Fanclub - Shadows
18. The Scottish Enlightenment - St Thomas
19. Joanna Newsom - Have One On Me
20. Jonsi - go do
21. RM Hubbert - First & Last
22. Errors - Come Down With Me
23. Laura Marling - I Speak Because I Can
24. Sleigh Bells - Treats
25. The Boy Who Trapped The Sun - Fireplace
26. Micah P Hinson and the Pioneer Saboteurs
27. Bruce Springsteen - The Promise
28. How To Swim - Retina (Or More Fun Than A Vat Of Love)
29. Gorillaz - Plastic Beach
30. Silver Columns - Yes and Dance


Ian from the Have Fun At Dinner blog has taken the time to knock up this week Spotify playlist featuring the majority of the albums on this list. So if you're looking for a cracking wee soundtrack to your day, then look no further.
Lastly, I would just like to take this opportunity to say thank you to everyone who took part in this years poll. Special thanks go out to Struan Teague for designing that sexy looking BAMS logo at the top of the page. He was kind enough to do that for us all for nowt, I am sure you'll agree that he's done us proud. Check out his website for more of his amazing work.

05 December 2010

Weekly Round Up (05/12/10)

Monday - Johnny Reb kicked off the week in style with some Fresh Meat action
Tuesday - the first in what will be a series of sessions posts from our good friend Brian at Fresh Air. Starting it all off we had Over the Wall playing an array of tunes for y'all
Wednesday - the heartbreaking Seafieldroad were the last entranst to the Scots Way-Hay club in 2010, awesome stuff
Thursday - Electropapknit Records were my 14th Scottish DIY Label interviewees, plus there were two storming sessions from Admiral Fallow and Mitchell Museum
Friday -Friday Freebies were pretty sweet this week, with tunes from Idlewild, Jonsi, Miaoux Miaoux and Bad Religion
Saturday - the first of my festive tunes came from Glasgow's very own Camera Obsucra in We've Got It Covered


News, gigs and any other gubbins......




Bronto Skylift release their new single 'Gameboy' this week, in support of it's release Scotland noisiest duo are heading off on a wee tour of their homeland. Kicking of at Madhatters in Iverness on Tuesday, they will also be selling just to 70 hand numbered copies of their single, which includes exclusive new artwork designed by the band. Prepare to have your ears melted.

9th - Inverness - Madhatters
10th - Stornoway - Jäger Room
11th - Aviemore - Old Bridge Inn
12th - Edinburgh – Sneaky Pete’s
13th – Glasgow – The Art School
16th - Leslie - The Greenside
17th - Dundee – Doghouse

Bronto Skylift - Gameboy (Vic Galloway Session)

Another Scottish band hitting the road this week are Edinburgh's finest, the Last Battle. To celebrate their jaunt round their snowy homeland, the band are going to be giving away a free download of their single 'Natures Glorious Rage', tomorrow on their Bandcamp.

The tour calls at the following venues

7th - Bloc, Glasgow (free show)
8th - The Venue, Elgin
9th - Old Bridge Inn, Aviemore
10th - Musa, Aberdeen
13th - The Well, Leeds
15th - The Garage, London

07 November 2010

Weekly Round Up (07/11/10)

Monday - Fresh Meat Monday came from the fabulous Marthas and Arthurs
Tuesday - I had a couple of sessions from the Twilight Sad and Broken Records
Wednesday - the plant pot-tastic Ghost Pants were my 40th entry into the Scots Way Hay club
Thursday - again more sessions, one from Frightened Rabbit and a classic session from the Delgados
Friday - as always there was a vast array of Freebies to be found, including a whole host of stuff from our very own Olive Grove starlets, Randolph's Leap. Plus there was also a wee session from the Burns Unit
Saturday - more Frabbit, with a live recording of them in New Orleans, plus Swimmer One took on a Kate Bush classic in We've Got It Covered


News, gigs and any other gubbins......


So the dust has barely settled after Friday's AvP gig and already I'm back pestering you to get off the sofa and join me for another wee gig. Taking place at the Hidden Lane Cafe in Glasgow, the evenings entertainment comes from two cracking bands, Burnt Island and Ghots Pants (who will be making their debut live performance). If you are planning on coming along then make sure you either let us know on Facebook or send me a wee email to peenkoblog@gmail.com to confirm your attendance. The place is tiny, so make sure you let me know you're coming in order to guarantee entry.




Technically this isn't until next week, but it's getting a wee mention to give you all plenty of heads up. Next Sunday, No Dancing takes place in Stereo and they have a cracking we line up in store for you all. Check this beast out, Withered Hand, Ambulances, Bronto Skylift and Galoshins. I know that the poster above says Q without U are playing but they had had to cancel but in their place they got Bronto Skylift. It's an eclectic line up to say the least, Bronto on the same bill as Withered Hand, now there's a bill I never imagined seeing. Fair play to the organisers for having the balls to do something a bit different.