Regular visitors of the blog should know all too well that I have tended to avoid writing reviews, firstly because I don't think I am all that great at them and secondly because I'm a bit lazy. It's for that reason that I like these Track By Track features, as I get tell you all about an album that I have been really enjoying, whilst leaving the musicians to do all of the hard work (I'm not as daft as I look!).
Which in a round about way brings me to the latest release from the Chemikal Underground stable, Malcolm Middleton's new pseudonym, Human Don't Be Angry. Taking a step away from his previous self deprecating
past, Malcolm's new venture sees him surprisingly veering towards almost sounding upbeat. With song titles such as 'Getting Better (At Feeling Like Shit)' and 'Jaded', Malcolm jokingly plays homage to his perceived miserableness. There are songs on the album that sound like they could be from the coolest 80's film that never was, he recently described HDBA as being 'a facade, a front so I can have fun again musically'. In allowing himself the freedom to go off and explore new ideas, he's come up with one of the finest albums that you are likely to hear all year. Anyway, that's enough of my inane ramblings, I'll pass you over to Malcky to tell you a bit more about the album...
The Missing Plutonium
Probably my favourite song, it started out
(like most here)
as just two guitar lines, but the drums, percussion and casios
give it a really
light and fresh feel. It reminds me of the old arcade game Outrun.
There was a
leisure centre near my High School so a lot of wasted time was
spent there, and
I guess I soaked up all the noise and lights. I like making
instrumental music
where you don’t have to worry about leaving room for a voice. You
can spend
hours making something and going into detail, and then when you
sing over the
top of it all the tiny details disappear. The title comes from the
bit in Back
To The Future where the Iranian terrorists are racing around a car
park in a
camper van trying to find the said “missing plutonium”. This song
is also the
first single from the album, released on the 2nd April.
H.D.B.A. Theme
This was always going to be a theme-song of
some kind, the
chorus hook is crying out for it. Another simple song that’s been
bolstered by
layers, not much else to it. The robot vocals were a last minute
addition that
seemed to give it a sense of identity. All the electronic drums
were done by
Paul Savage playing drum machines with his fingers. I think I
spent a lot of
time in the studio shouting “make the snare more 80’s!” or
something daft like
that. “Mensch argere Dich nicht” is the German name for the
Frustration
boardgame, which roughly translates as Human Don’t Be Angry.
First Person Singular, Present Tense
Drums again by Paul. We always have this weird
thing going
on where we have different opinions about the timing of a song, or
how long a
bar is or where the phrase starts. We’ve learnt over the years
it’s better not
to discuss it too much otherwise it breaks. This is a good example
of that. I’d
been doing this song live for about a year and it was originally
half the length,
but it needed to be extended and made more confusing vocally
because of the
subject matter, which is a bit of a head-fuck when you start
getting into it. I’m
not sure if this will make sense to people or whither they’ll just
think it’s
repetitive, random nonsense. So as a thankyou for listening to the
first half you
get more 80’s drums at the end and a blazing guitar solo! The
title comes from
the Douglas Harding book “On Having No Head”.
After The Pleasuredome
Yes, obviously a reference to one of my
favourite albums of
all time by Frankie Goes To Hollywood. Just a nice wee “mood”
piece, again not
much too it. I often wondered what "the lads" got up to after
"relaxing" in "the Pleasuredome", so I guess this is my
interpretation of that.
Monologue: River
This was the first HDBA song I wrote. Back in
the summer of
2010 Johnny from Fence Records asked me to play their Away Game
festival on the
Isle Of Eigg. I said only if I can do it under a different name,
he said yes,
so I went away and thought up a name and wrote some songs and
that’s how this
whole thing came about. It gave me a good creative burst for a few
weeks and much
of the album was written then for a small gig on an island. Most
of the songs were
instrumental but this one and First Person seemed to have space
for words. Part
of me wishes I’d left the album entirely instrumental as my words
tend to
detract from the lightness of the overall feel, but maybe it was a
good thing,
I don’t know. It’s nice to have some personality on the record,
even if it is
too similar to my previous output lyrically. Although the words
here are a bit
more random I suppose. I haven’t rowed down any river recently….
The “ohs” at
the end are blatantly ripping off Iron Maiden, and the main guitar
hook is a
wee bit of an homage to Jackson C. Frank. I was initially worried
about Aidan’s
drums on the end section because it reminded me of the tribal
dance scene from
The Matrix part 2. I believe my final say on the matter was “ah,
fuck it”.
Jaded
A good example of a slow, tender piece of
guitar music
ripped apart with indifference by Paul Savage’s latent urban beat
tendencies. It
makes perfect sense though. Aidan Moffat did the live drums here
too. And I am
very Jaded, so this song is autobiographical.
1985
What a year! The summer was hot, we had Live
Aid, great
music, I was heavily in love with Madonna and about to start High
School, where
my childhood would be destroyed and Reality would make its first
unwanted appearance
on the stage that is "my life". Eh, what? Anyway. I love this
song. Arab Strap v’s The
Bee Gees.
Asklipiio
Aww… a song about proposing to my wife while on
holiday in Rhodes.
Yuck. Enrique Iglesias meets Mogwai via
Manchester. I’m not sure what that means.
Getting Better (At Feeling Like Shit)
Well I had to ruin it didn’t I? There goes my
positive new
direction and trying not to have the word “shit” anywhere near my
music.
Stewart at Chemikal Underground swears that if he’d seen the
artwork before it
was completed he would’ve forced me to change the song title to
just “Getting
Better”, and thereby avoid any lazy tags being associated with the
album. Ach
well.
"H.D.B.A. Theme" by Human Don't Be Angry by Chemikal Underground
Human Don't Be Angry is out now on Chemikal Underground Records, on download and CD. Also, if you're quick off the mark you might till be able to pick up a copy of the album on vinyl from your local record store, as it was released on Saturday as part of the Record Store Day celebrations.
You can catch Malcolm playing live on Saturday the 16th of June at King Tut's in Glasgow with support from Martin John Henry.
"H.D.B.A. Theme" by Human Don't Be Angry by Chemikal Underground
Human Don't Be Angry is out now on Chemikal Underground Records, on download and CD. Also, if you're quick off the mark you might till be able to pick up a copy of the album on vinyl from your local record store, as it was released on Saturday as part of the Record Store Day celebrations.
You can catch Malcolm playing live on Saturday the 16th of June at King Tut's in Glasgow with support from Martin John Henry.
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